The Trouble Is The Kind Of Guy

You Can Give Some Kind Of Spark Of Life To A Comic That A Photograph Doesn't Really Have. A Photograph, Even If It's Connecting With You, It Seems Very Dead On The Page Sometimes.

I Love The Medium And I Love Individual Comics, But The Business Is Nothing I Would Be Proud Of.

Writing A Screenplay, I'm Like, "all I'm Responsible For Is That Final Script, And I Take Great Effort And Pride In That." But Once I Give It To Someone To Make, I Can Disassociate With It Entirely And Not Worry That My Vision Isn't Being Represented, Because I Understand Fully That That's Not How It Works.

At A Certain Point, I Realized That I Could Draw Anything, And There Was Nothing I Should Avoid - I Could Make It Work. That's Opened Me Up To Being Able To Be Much More Comfortable Telling Any Kind Of Story.

I Enjoy The Opportunity To Use Swear Symbols. The Reader Reads Into Them Something Worse Than What You Normally Would Have. They Work As This Outburst Of Incoherent Anger. I've Found Ways To Write Around Swearing That Are Much More Effective, Rather Than Going For What Someone Really Would Say.