The Structure Of A Play Is Always

Data Is A Lot Like Humans: It Is Born. Matures. Gets Married To Other Data, Divorced. Gets Old. One Thing That It Doesn't Do Is Die. It Has To Be Killed.

As A Writer, I've Always Believed That While My Work And I Myself Are Embedded In Whatever Period I Am Writing About, Clearly I Am Sensitive To The Winds That Are Blowing In The Culture. At The Same Time, I Have Always Felt That The Issue Was Not To Deal With The Problem In The Abstract, But To Deal With The People Who Are In That Problem. The Emphasis Is On The People. The General Problem Begins To Resolve Itself Even Before The Play Is Finished.

What Is The Most Innocent Place In Any Country? Is It Not The Insane Asylum? These People Drift Through Life Truly Innocent, Unable To See Into Themselves At All.

Above All Else, Tragedy Requires The Finest Appreciation By The Writer Of Cause And Effect.

The World Is An Oyster But You Don't Crack It Open On A Mattress