The Sea Is An Idiom I Cannot

At The Beginning Of Their Careers Many Writers Have A Need To Overwrite. They Choose Carefully Turned-out Phrases; They Want To Impress Their Readers With Their Large Vocabularies. By The Excesses Of Their Language, These Young Men And Women Try To Hide Their Sense Of Inexperience. With Maturity The Writer Becomes More Secure In His Ideas. He Finds His Real Tone And Develops A Simple And Effective Style.

He Constructed A Vast Labyrinthine Of Periods, Made Impassable By The Piling-up Of Clauses Upon Clauses-clauses In Which Oversight And Bad Grammar Seemed Manifestations Of Disdain.

The Web Of Time - The Strands Of Which Approach One Another, Bifurcate, Intersect, Or Ignore Each Other Through The Centuries - Embraces "every" Possibility. We Do Not Exist In Most Of Them. In Some You Exist And Not I, While In Others I Do, And You Do Not, And In Yet Others Both Of Us Exist.

Yo, Que Me Figuraba El Paraíso / Bajo La Especie De Una Biblioteca. I Have Always Imagined Paradise As A Kind Of Library.

In The Critics' Vocabulary, The Work 'precursor' Is Indispensable, But It Should Be Cleansed Of All Connotations Of Polemics Or Rivalry.