The Relationship Between The Public And The

Design Implies A Sense Of Mapping Something Out And Then You Follow The Plan.

Ephemeral Work Made Outside, For And About A Day, Lies At The Core Of My Art And Its Making Must Be Kept Private.

Once The Fired Stone Is Out Of The Kiln, It Is Still Possible To Mentally Reconstruct It In Its Original Form.

I Think I Have Been Fashioned By The Fickle Weather Of Britain That It Is - It's Forever Changing. There's No Kind Of Constant Sun Or Dry Weather Or Freezing Weather, And I'm Always Having To Change And Adapt To That.

I Go Way Beyond Just The Wood And Stone But To The Process Of Growth And Farming And The Tensions Between The Two.