The Quiet People Just Do Their Work.

Of Course, Both [oscar] Wilde & [vladimir] Nabokov Believe In Many Things, And These Things Emerge In Their Writing Clearly - For Wilde, The Folly Of Humankind And The (romantic) Grandeur Of The Heroic, Lone Individual (not Unlike Wilde Himself); For Nabokov, The Possibility Of A Kind Of Transcendence Through A Great, Prevailing, Superior Sort Of Love (especially In Ada, The Most Self-congratulatory Of Novels.)

It's Always A Challenge To Discover The Most Effective First Sentence, And The Most Effective Final Sentence, In A Chapter For Instance, And In The Book As A Whole.

Keep A Light, Hopeful Heart. But ­expect The Worst.

Adriana Loved Even The Rank Animal Smell Of The Man's Body, Her Sweat-slicked Breasts And Belly Flattened Beneath Him, And Her Arms And Legs Clutching Him As A Drowning Woman Might Clutch Another Person To Save Her Life. Don't Don't Don't Don't Leave Me. Don't Leave Me. As In Animal Copulation The Frenzy Is To Be Locked Together Not Out Of Sentiment Or Choice But Physical Compulsion. As If Bolts Of Electric Current Ran Through Both Their Bodies And Would Only Release Them From Each Other When It Ceased.

When Writing Goes Painfully, When It’s Hideously Difficult, And One Feels Real Despair (ah, The Despair, Silly As It Is, Is Real!)–then Naturally One Ought To Continue With The Work; It Would Be Cowardly To Retreat. But When Writing Goes Smoothly–why Then One Certainly Should Keep On Working, Since It Would Be Stupid To Stop. Consequently One Is Always Writing Or Should Be Writing.