The Problem With Germans Is That They

We Forfeit Three-quarters Of Ourselves In Order To Be Like Other People.

Authors May Be Divided Into Falling Stars, Planets, And Fixed Stars: The First Have A Momentary Effect; The Second Have A Much Longer Duration; But The Third Are Unchangeable, Possess Their Own Light, And Work For All Time.

What A Man Can Do And Suffer Is Unknown To Himself Till Some Occasion Presents Itself Which Draws Out The Hidden Power. Just As One Sees Not In The Water Of An Unruffled Pond The Fury And Roar With Which It Can Dash Down A Steep Rock Without Injury To Itself, Or How High It Is Capable Of Rising; Or As Little As One Can Suspect The Latent Heat In Ice-cold Water.

Talent Is Able To Achieve What Is Beyond Other People's Capacity To Achieve, Yet Not What Is Beyond Their Capacity Of Apprehension; Therefore It At Once Finds Its Appreciators. The Achievement Of Genius, On The Other Hand, Transcends Not Only Others' Capacity Of Achievement, But Also Their Capacity Of Apprehension; Therefore They Do Not Become Immediately Aware Of It. Talent Is Like The Marksman Who Hits A Target Which Others Cannot Reach; Genius Is Like The Marksman Who Hits A Target, As Far As Which Others Cannot Even See.

What Give All That Is Tragic, Whatever Its Form, The Characteristic Of The Sublime, Is The First Inkling Of The Knowledge That The World And Life Can Give No Satisfaction, And Are Not Worth Our Investment In Them. The Tragic Spirit Consists In This. Accordingly It Leads To Resignation.