The Present Stage Redefines The Possibilities Of

Dialectical Thought Understands The Critical Tension Between "is" And "ought" First As An Ontological Condition, Pertaining To The Structure Of Being Itself. However, The Recognition Of This State Of Being Its Theory Intends From The Beginning A Concrete Practice. Seen In The Light Of A Truth Which Appears In Them Falsified Or Denied, The Given Facts Themselves Appear False And Negative.

Behind The Aesthetic Form Lies The Repressed Harmony Of Sensuousness And Reason

Art Cannot Change The World, But It Can Contribute To Changing The Consciousness And Drives Of The Men And Women Who Could Change The World.

A Work Of Art Can Be Called Revolutionary If, By Virtue Of The Aesthetic Transformation, It Represents, In The Exemplary Fate Of Individuals, The Prevailing Unfreedom And The Rebelling Forces, Thus Breaking Through The Mystified (and Petrified) Social Reality, And Opening The Horizon Of Change (liberation).

However, If "free Choice" Means More Than A Small Selection Between Pre-established Necessities, And If The Inclinations And Impulses Used In Work Are Other Than Those Preshaped By A Repressive Reality Principle, Then Satisfaction In Daily Work Is Only A Rare Privilege.