The Point Of Cities Is Multiplicity Of

You Can Neither Lie To A Neighbourhood Park, Nor Reason With It. 'artist's Conceptions' And Persuasive Renderings Can Put Pictures Of Life Into Proposed Neighbourhood Parks Or Park Malls, And Verbal Rationalizations Can Conjure Up Users Who Ought To Appreciate Them, But In Real Life Only Diverse Surroundings Have The Practical Power Of Inducing A Natural, Continuing Flow Of Life And Use.

When We Deal With Cities We Are Dealing With Life At Its Most Complex And Intense. Because This Is So, There Is A Basic Esthetic Limitation On What Can Be Done With Cities: A City Cannot Be A Work Of Art.

Not Tv Or Illegal Drugs But The Automobile Has Been The Chief Destroyer Of American Communities.

Neighborhoods Built Up All At Once Change Little Physically Over The Years As A Rule...[residents] Regret That The Neighborhood Has Changed. Yet The Fact Is, Physically It Has Changed Remarkably Little. People's Feelings About It, Rather, Have Changed. The Neighborhood Shows A Strange Inability To Update Itself, Enliven Itself, Repair Itself, Or To Be Sought After, Out Of Choice, By A New Generation. It Is Dead. Actually It Was Dead From Birth, But Nobody Noticed This Much Until The Corpse Began To Smell.

In Small Settlements Everyone Knows Your Affairs. In The City Everyone Does Not-only Those You Choose To Tell Will Know About You. This Is One Of The Attributes Of Cities That Is Precious To Most City People.