The Poetic Image Exists Apart From Causality.

To Go Upstairs In The Word House Is To Withdraw Step By Step; While To Go Down To The Cellar Is To Dream.

Here Is Menard's Own Intimate Forest: 'now I Am Traversed By Bridle Paths, Under The Seal Of Sun And Shade...i Live In Great Density...shelter Lures Me. I Slump Down Into The Thick Foliage...in The Forest, I Am My Entire Self. Everything Is Possible In My Heart Just As It Is In The Hiding Places In Ravines. Thickly Wooded Distance Separates Me From Moral Codes And Cities.

Words Are Clamor-filled Shells. There's Many A Story In The Miniature Of A Single Word!

Every Corner In A House, Every Angle In A Room, Every Inch Of Secluded Space In Which We Like To Hide, Or Withdraw Into Ourselves, Is A Symbol Of Solitude For The Imagination; That Is To Say, It Is The Germ Of A Room, Or Of A House.

By Following "the Path Of Reverie"-a Constantly Downhill Path-consciousness Relaxes And Wanders-and Consequently Becomes Clouded. So It Is Never The Right Time, When One Is Dreaming, To "do Phenomenology."