The Plays Raise Issues That Are Ignored

In Crash, You've Got A Pathological Cop Who At The End Justifies Police Brutality. He Tells The Naïve, Young Cop That You're Going To End Up The Same As Him. He's The Most Sympathetic Character In The Movie. So, The Naïve Cop Ends Up Murdering This Black Kid And Tries To Cover Up The Evidence. It Sort Of Justifies Police Brutality And The Planting Of Evidence Which Is What Happened In The O.j. Simpson Case.

The Cultural Wars Of The Sixties Are Over. I've Reconciled With Those Who Were My Critics And Opponents Years Ago. I Was At Odds With Some Those Who Were Black Nationalists. Yet When Feminists Attempted To End My Career And Leave Me As Literary Road Kill, It Was The Black Nationalists Who Came To My Rescue.

That Kind Of Thing Happens To Black People Every Day In This Country, And They Don't Receive That Kind Of Sentence He Did, Which Was To Go To Prison On The Weekends; I Think He Lectured There-an Outside Lecturer.

The Last Publicized Center Of American Writing Was Manhattan. Its Writers Became Known As The New York Intellectuals. With Important Connections To Publishing, And Universities, With Access To The Major Book Reviews, They Were Able To Pose As The Vanguard Of American Culture When They Were So Obsessed With The Two Joes--mccarthy And Stalin--that They Were To Produce Only Two Artists, Saul Bellow And Philip Roth, Who Left Town.

[david] Mamet Is Another Hypocrite. His Idea Of Black Man Is A Pimp Who Abuses Women, [edmond], Yet His Play Oleanna [1994] Ends With A White Professor Slapping An Uppity Feminist, At Least The Version I Saw At San Francisco's Act.