The Picture That Approaches Sculpture Nearest Is

As The Heart Is, So Is Love To The Heart. It Partakes Of Its Strength Or Weakness, Its Health Or Disease.

Doubtless Criticism Was Originally Benignant, Pointing Out The Beauties Of A Work Rather That Its Defects. The Passions Of Men Have Made It Malignant, As A Bad Heart Of Procreates Turned The Bed, The Symbol Of Repose, Into An Instrument Of Torture.

Sculpture Is More Divine, And More Like Nature, That Fashions All Her Works In High Relief, And That Is Sculpture. This Vast Ball, The Earth, Was Moulded Out Of Clay, And Baked In Fire; Men, Women, And All Animals That Breathe Are Statues, And Not Paintings.

I Have A Passion For Ballad. . . . They Are The Gypsy Children Of Song, Born Under Green Hedgerows In The Leafy Lanes And Bypaths Of Literature,--in The Genial Summertime.

The Day Is Cold, And Dark, And Dreary; It Rains, And The Wind Is Never Weary; The Vine Still Clings To The Mouldering Wall, But At Every Gust The Dead Leaves Fall, And The Day Is Dark And Dreary. My Life Is Cold, And Dark, And Dreary; It Rains, And The Wind Is Never Weary; My Thoughts Still Cling To The Mouldering Past, But The Hopes Of Youth Fall Thick In The Blast, And The Days Are Dark And Dreary. Be Still, Sad Heart! And Cease Repining; Behind The Clouds Is The Sun Still Shining; Thy Fate Is The Common Fate Of All, Into Each Life Some Rain Must Fall, Some Days Must Be Dark And Dreary.