The Only Thing That Mattered Was What

Some Artists Want To Confront. Some Want To Invoke Thought. They're All Necessary And They're All Valid.

I Do Think The Smaller-scale Studio Works Have That Incredible Love Of Data Crunching, Whereas I Would Say The Large-scale Earthworks Tend To Be Much More Stripped-down. With The Mappings, As Connected As They Are To A Much More Analytical Idea, What's A Map? And Can I Make A Map About Time? I Think The First Time Was Hurricane Sandy, The Flood Plane; A Moment In Time, But Indelibly Marked On Any Of Us Who Were In The City. Mapping Time Is Something That I'm Really Interested In.

I Left Science, Then I Went Into Art, But I Approach Things Very Analytically. I Choose To Pursue Both Art And Architecture As Completely Separate Fields Rather Than Merging Them.

Nothing Is Ever Guaranteed, And All That Came Before Doesn't Predicate What You Might Do Next.

Art Is Very Tricky Because It's What You Do For Yourself. It's Much Harder For Me To Make Those Works Than The Monuments Or The Architecture.