The Novel Is The Affliction For Which

I Tend To Think In Dramatic Terms. In Life, There May Be An Actual Drama, But It Would Be The Fictionalized, Imagined Drama That Engaged Me.

Adriana Loved Even The Rank Animal Smell Of The Man's Body, Her Sweat-slicked Breasts And Belly Flattened Beneath Him, And Her Arms And Legs Clutching Him As A Drowning Woman Might Clutch Another Person To Save Her Life. Don't Don't Don't Don't Leave Me. Don't Leave Me. As In Animal Copulation The Frenzy Is To Be Locked Together Not Out Of Sentiment Or Choice But Physical Compulsion. As If Bolts Of Electric Current Ran Through Both Their Bodies And Would Only Release Them From Each Other When It Ceased.

When I Wrote 'we Were The Mulvaneys,' I Was Just Old Enough To Look Back Upon My Own Family Life And The Lies Of Certain Individuals Close To Me, With The Detachment Of Time. I Wanted To Tell The Truth About Secrets: How Much Pain They Give, Yet How Much Relief, Even Happiness We May Feel When At Last The Motive For Secrecy Has Passed.

Language Is The Instrument In All Cases And Can Language Be Trusted?if It Were Not For Language, Could We Lie?

You're An Insomniac, You Tell Yourself: There Are Profound Truths Revealed Only To The Insomniac By Night Like Those Phosphorescent Minerals Veined And Glimmering In The Dark But Coarse And Ordinary Otherwise; You Have To Examine Such Minerals In The Absence Of Light To Discover Their Beauty, You Tell Yourself.