The More People You Love, The Weaker

I Don't Like The Strictly Objective Viewpoint [in Which All Of The Characters' Actions Are Described In The Third Person, But We Never Hear What Any Of Them Are Thinking.] Which Is Much More Of A Cinematic Technique. Something Written In Third Person Objective Is What The Camera Sees. Because Unless You're Doing A Voiceover, Which Is Tremendously Clumsy, You Can't Hear The Ideas Of Characters. For That, We Depend On Subtle Clues That The Directors Put In And That The Actors Supply. I Can Actually Write, "'yes You Can Trust Me,' He Lied." [but It's Better To Get Inside The Characters' Heads.]

He Raised His Eyes. "sister. See. This Time I Knew You." Asha's Heart Skipped A Beat. "theon?" His Lips Skinned Back In What Might Have Been A Grin. Half His Teeth Were Gone, And Half Those Still Left Him Were Broken And Splintered. "theon," He Repeated. "my Name Is Theon. You Have To Know Your Name.

Speak The Name, And Death Will Come. On The Morrow, At The Turn Of The Moon, A Year From This Day, It Will Come. A Man Does Not Fly Like A Bird, But One Foot Moves And Then Another And One Day A Man Is There.

All My Life Men Like You've Sneered At Me, And All My Life I've Been Knocking Men Like You Into The Dust.

I Can See A Scene In My Head, And When I Try To Get It Down In Words On Paper, The Words Are Clunky; The Scene Is Not Coming Across Right. So Frustrating. And There Are Days Where It Keeps Flowing. Open The Floodgates, And There It Is. Pages And Pages Coming. Where The Hell Does This All Come From? I Don't Know.