The More I Work, The More I

I Want To Assassinate Painting.

I Begin Painting And As I Paint The Picture Begins To Assert Itself, Or Suggest Itself, Under My Brush. The Form Becomes A Sign For A Woman Or A Bird As I Work... The First Stage Is Free, Unconscious... The Second Stage Is Carefully Calculated.

My Way Is To Seize An Image The Moment It Has Formed In My Mind, To Trap It As A Bird And To Pin It At Once To Canvas. Afterward I Start To Tame It, To Master It. I Bring It Under Control And I Develop It.

I Make No Distinction Between Poetry And Painting.

The Works Must Be Conceived With Fire In The Soul But Executed With Clinical Coolness.