The Job Of The Artist, Is To

My Tendency As An Actor Was To Correct People, Was To Say, 'what If We Tried It This Way, What About If We Tried That Way?' That's Terrible Habit For An Actor, But That's A Good Habit For Director. So I Became A Director.

In Playwriting, You've Got To Be Able To Write Dialogue. And If You Write Enough Of It And Let It Flow Enough, You'll Probably Come Across Something That Will Give You A Key As To Structure. I Think The Process Of Writing A Play Is Working Back And Forth Between The Moment And The Whole. The Moment And The Whole, The Fluidity Of The Dialogue And The Necessity Of A Strict Construction. Letting One Predominate For A While And Coming Back And Fixing It So That Eventually What You Do, Like A Pastry Chef, Is Frost Your Mistakes, If You Can.

I'm Afraid Of Only Two Things: Being Lazy And Being Cowardly.

I Didn't Knowingly Meet A Conservative Until, To My Shame, I Was 60 Years Old And Sat Down And Said, 'wow, I Don't Understand What This Guy's Talking About, But He Has A Great Civility About Him. Perhaps I Better Investigate This Thing.'

I Won't Ever Do E-mail.