The Israeli Accent Wasn't One That I

I Never Really Think Much About The Size Of A Production Because I Think As An Actor, Once You're In It, It's All The Same. I Never Ever Pick Projects Based On Their Size.

I Think Quite Often, Being On The New Set Is Not What You Expect. The Most Serious Film Can Be The Most Fun. The One That's Supposed To Be Fun Can Be The Most Serious. I Don't Think There Are Any Hard-and-fast Rules. I Just Think It Really Depends On Your Director And What The General Vibe Is.

I Don't Like To Come At My Character From Some Really Technical Place.

If You're Lucky Enough To Be Involved In A Film That's About Something Very Real And That You Hope Will Continue To Hold Up In 20 Years' Time It Just Gives You More Energy And Makes It Feel All The More Worthwhile.

It Only Seems Jarring When You Look Back On The Work I've Done. I Think If You Had To Map That Out At The Beginning And You Said, "right, Sit Down, This Is What You're Going To Be Doing," You'd Probably Freak Out. But I'm Someone Who Really Enjoys Not Being Himself. So If You Consider That, Then It All Sort Of Makes Sense. And I Just Think That's The Job Of An Actor. I Guess That's The Variation That You're Talking About. It's Probably A Byproduct Of Just Constantly Looking For Something Different, Because That's What I Feel Like I'm Supposed To Do.