The Important Thing Is Somehow To Begin.

A Piece Of Sculpture Can Have A Hole Through It And Not Be Weakened If The Hole Is Of A Studied Size, Shape, And Direction.

A Work Can Have In It A Pent-up Energy, An Intense Life Of Its Own, Independent Of The Subject It May Represent.

You Leave Space For The Body, Imagining The Other Part Even Though It Isn't There.

The Whole Of Nature Is An Endless Demonstration Of Shape And Form. It Always Surprises Me When Artists Try To Escape From This.

Never Think Of The Surface Except As An Extension Of A Volume.