The Greatest Location In The World Is

Film Is, To Me, Just Unimportant. But People Are Very Important.

There's A Difference Between Ad-libbing And Improvising. And There's A Difference Between Not Knowing What To Do And Just Saying Something. Or Making Choices As An Actor. As A Writer Also, As A Person Who's Making A Film, As A Cameraman, Everything Is A Choice. And It Seems To Me I Don't Really Have To Direct Anyone Or Write Down That Somebody's Getting Drunk; All I Have To Do Is Say That There's A Bottle There And Put A Bottle There And Then They're Going To Get Drunk.

During The Actual Filming, I’m Not Really Listening To Dialogue. I’m Watching To See If The Actors Are Communicating Something And Expressing Something. I’m Just Watching A Conversation. You’re Not Aware Of Exactly What People Are Saying. You Are Aware Of What They Are Intending And What Kind Of Feeling Is Going On In That Scene.

Art Films Aren't Necessarily Photography. It's Feeling. If We Can Capture A Feeling Of A People, Of A Way Of Life, Then We Made A Good Picture.

I'm Not Good At Comparing And Contrasting. I Take What's In Front Of Me For What It Is, Although I Guess There's Something About Paul's Realistic Writing That Is Like Cassavetes.