The Fathers Greatest Folly Is That He

You Are Traveling And See These People Shooting The Entire Experience Of Going Through A City, And Maybe In The Back Of Their Minds They Sustain The Illusion That They Will Edit It All, But I Don't Think That's It.

I Think Ultimately If You Have A Very High Expectation Of Your Audience And You Know Exactly What It Is You're Trying To Express Through The Medium Of Film, There Will Always Be An Audience For You.

Right Now My Career Is Totally Schizophrenic, Because When An American Production Like Hitchcock Presents Asks To See My Work I Would Never Dream Of Showing Them My Independent Films.

I Think Entire Social Groups Are Formed Through Technologies That Could Never Exist In The Real World, And Relationships That Are A Function Of These Technologies' Ability To Accelerate Feeling And Emotional Contact.

I Think In The '80s, When I Started Making Films, We Were All Suspicious Of These Technologies. We Were All Convinced They Would Filter Out Any Emotion And Sense Of Intimacy, And The Films I Made During That Period Reflected That. In Fact, What Has Happened Is The Opposite. I Think We're Saturated With A Degree Of Intimacy We Would Never Have Expected, And We're Trying To Sort Through This Idea Of Complete Access To Each Other's Lives On An Ongoing Basis. Our Emotions Aren't Filtered Out At All. They're Actually Accelerated.