The Eyes Are Hammers.

The Arts Are Encroaching One Upon Another, And From A Proper Use Of This Encroachment Will Rise The Art That Is Truly Monumental.

The Artist Must Be Blind To Distinction Between 'recognized' Or 'unrecognized' Conventions Of Form, Deaf To The Transitory Teaching And Demands Of His Particular Age.

Drawing Instruction Is A Training Towards Perception, Exact Observation And Exact Presentation Not Of The Outward Appearances Of An Object, But Of Its Constructive Elements, Its Lawful Forces-tensions, Which Can Be Discovered In Given Objects And Of The Logical Structures Of Same-education Toward Clear Observation And Clear Rendering Of The Contexts, Whereby Surface Phenomena Are An Introductory Step Towards The Three-dimensional.

The Artist Is Not A 'sunday Child' For Whom Everything Immediately Succeeds. He Does Not Have The Right To Live Without Duty. The Task That Is Assigned To Him Is Painful, It Is A Heavy Cross For Him To Bear.

A Parallel Between Color And Music Can Only Be Relative – Just As A Violin Can Give Warm Shades Of Tone, So Yellow Has Shades, Which Can Be Expressed By Various Instruments.