The Destructive Character Lives From The Feeling,

All Human Knowledge Takes The Form Of Interpretation.

In Other Words, The Unique Value Of The "authentic" Work Of Art Has Its Basis In Ritual, The Location Of Its Original Use Value. This Ritualistic Basis, However Remote, Is Still Recognizable As Secularized Ritual Even In The Most Profane Forms Of The Cult Of Beauty.

There Was The Pedestrian Who Wedged Himself Into The Crowd, But There Was Also The Flneur Who Demanded Elbow Room And Was Unwilling To Forego The Life Of The Gentleman Of Leisure. His Leisurely Appearance As A Personality Is His Protest Against The Division Of Labour Which Makes People Into Specialists. It Was Also His Protest Against Their Industriousness. Around 1840 It Was Briefly Fashionable To Take Turtles For A Walk In The Arcades. The Flneurs Liked To Have The Turtles Set The Pace For Them.

Marx Says That Revolutions Are The Locomotives Of World History. But The Situation May Be Quite Different. Perhaps Revolutions Are Not The Train Ride, But The Human Race Grabbing For The Emergency Brake.

Books And Harlots Have Their Quarrels In Public.