The Demise Of The Monolithic Record Industry

I Have Nothing Against Bombastic Music, But When It Comes To Making Albums, I'd Prefer To Make Music That Has A Sort Of Vulnerable Subtlety To It.

I'm Like A Monk With A Taste For Hookers.

There Are So Many Musicians, Friends Of Mine, Who Play Shows For Ten People A Night, Or Always Desperately Wanted A Record Contract. So Even If Every Person On The Planet Loathes Me, I Have Nothing To Complain About. My Job Is Not A Bad Job, So I Can't Complain.

When I Was Growing Up, I Fetishised New York City. It Was The Land Of Lou Reed And The Velvet Underground, It Was Where Leonard Cohen Wrote 'chelsea Hotel', It Was Cbgbs And All The Punk Rock Clubs. Artists And Musicians Lived There, And It Was Cheap And Dangerous.

In The Long, Nonillustrious History Of White People Pilfering African American Culture, Have I Just Perpetrated That? I'm Motivated By A Love For The Music And By A Love Of The Performances, And I Really Hope I Haven't Done Anything Bad.