The Camera Is The Slave To The

I’ve Never Seen An Exploding Helicopter. I’ve Never Seen Anybody Go And Blow Somebody’s Head Off. So Why Should I Make Films About Them? But I Have Seen People Destroy Themselves In The Smallest Way, I’ve Seen People Withdraw, I’ve Seen People Hide Behind Political Ideas, Behind Dope, Behind The Sexual Revolution, Behind Fascism, Behind Hypocrisy, And I’ve Myself Done All These Things. So I Can Understand Them. What We Are Saying Is So Gentle. It’s Gentleness. We Have Problems, Terrible Problems, But Our Problems Are Human Problems.

When I Started Making Films, I Wanted To Make Frank Capra Pictures. But I`ve Never Been Able To Make Anything But These Crazy, Tough Pictures. You Are What You Are.

I’m Very Worried About The Depiction Of Women On The Screen. It’s Gotten Worse Than Ever And It’s Related To Their Being Either High- Or Low-class Concubines, And The Only Question Is When Or Where They Will Go To Bed, With Whom, And How Many. There’s Nothing To Do With The Dreams Of Women, Or Of Woman As The Dream, Nothing To Do With The Quirky Part Of Her, The Wonder Of Her.

(acting) Is An Extension Of Life. How You're Capable Of Performing In Your Life, That's How You're Capable Of Performing On Screen.

Ricardo Montalban Is To Improvisational Acting What Mount Rushmore Is To Animation.