The Biggest Hurdle To Writing Fargo Rock

To Me, Every Interview, Even If You Love The Artist, Needs To Be Somewhat Adversarial. Which Doesn't Mean You Need To Attack The Person, But You Do Need To Look At It Like You're Trying To Get Information That Has Not Been Written About Before.

I Remember Saying Things, But I Have No Idea What Was Said. It Was Generally A Friendly Conversation.” —associated Press Reporter Jack Sullivan, Attempting To Recount A 3 A.m. Exchange We Had At A Dinner Party And Inadvertently Describing The Past Ten Years Of My Life.

If You Don't Have A Job, You Don't Have A Fear Of Losing It. You Fear Having To Get One.

I Guess It Really Didn't Even Dawn On Me That You Could Be A Rock Critic As A Job Until I Was Maybe Almost Out Of College. I Knew Criticism Existed. I Read Rolling Stone And Spin. Siskel And Ebert Were On Television. But I Had Absolutely No Idea How To Get That Kind Of Life. And Moreover, It Didn't Interest Me That Much. I Just Sort Of Read Normal Books Growing Up. I Wasn't That Media-conscious. I Felt Like The One Thing I Was Able To Do Was To Listen To A Record And Decide Whether I Liked It.

And All I Could Do While I Listened To This Dude Tell Me How Punk Rock Saved His Life Was Think, Wow. Why Did My Friend Waste All That Time Going To Chemotherapy? I Guess We Should Have Just Played Him A Bunch Of Shitty Black Flag Records.