The Best Education In Film Is To

It's Impossible To Tell You What I'm Going To Do Except To Say That I Expect To Make The Best Movie Ever Made.

In Any Case, Once You're Dealing On A Nonverbal Level, Ambiguity Is Unavoidable. But It's The Ambiguity Of All Art, Of A Fine Piece Of Music Or A Painting - You Don't Need Written Instructions By The Composer Or Painter Accompanying Such Works To 'explain' Them. “explaining” Them Contributes Nothing But A Superficial 'cultural' Value Which Has No Value Except For Critics And Teachers Who Have To Earn A Living.

Some People Demand A Five-line Capsule Summary. Something You'd Read In A Magazine. They Want You To Say, 'this Is The Story Of The Duality Of Man And The Duplicity Of Governments.' I Hear People Try To Do It -- Give The Five-line Summary -- But If A Film Has Any Substance Or Subtlety, Whatever You Say Is Never Complete, It's Usually Wrong, And It's Necessarily Simplistic: Truth Is Too Multifaceted To Be Contained In A Five-line Summary. If The Work Is Good, What You Say About It Is Usually Irrelevant.

The World's Religions, For All Their Parochialism, Did Supply A Kind Of Consolation For This Great Ache. This Shattering Recognition Of Our Mortality Is At The Root Of Far More Mental Illness Than I Suspect Even Psychiatrists Are Aware.

Perhaps It Sounds Ridiculous, But The Best Thing That Young Filmmakers Should Do Is To Get Hold Of A Camera And Some Film And Make A Movie Of Any Kind At All.