The Barbarians Come Out At Night.

It Is Not, Then, In The Content Or Substance Of Folly That Its Difference From Truth Lies, But In Where It Comes From. It Comes Not From 'the Wise Man's Mouth' But From The Mouth Of The Subject Assumed Not To Know And Speak The Truth.

No, Paul, I Couldn't Care Less If You Tell Me Made-up Stories. Our Lies Reveal As Much About Us As Our Truths.' (said To Paul By Elizabeth Costello, The Interloping Novelist-angel-inner Voice).

For Himself, Then. For His Idea Of The World, A World In Which Men Do Not Use Shovels To Beat Corpses Into A More Convenient Shape For Processing.

Erasmus Dramatizes A Well-established Political Position: That Of The Fool Who Claims License To Criticize All And Sundry Without Reprisal, Since His Madness Defines Him As Not Fully A Person And Therefore Not A Political Being With Political Desires And Ambitions. The Praise Of Folly, Therefore Sketches The Possibility Of A Position For The Critic Of The Scene Of Political Rivalry, A Position Not Simply Impartial Between The Rivals But Also, By Self-definition, Off The Stage Of Rivalry Altogether.

Nothing Is Worse Than What We Can Imagine.