The Artist Deals With What Cannot Be

Legends Of Prediction Are Common Throughout The Whole Household Of Man. Gods Speak, Spirits Speak, Computers Speak. Oracular Ambiguity Or Statistical Probability Provides Loopholes, And Discrepancies Are Expunged By Faith.

The Living Tongue That Tells The Word, The Living Ear That Hears It, Bind And Bond Us In The Communion We Long For In The Silence Of Our Inner Solitude.

This Is The Treason Of The Artist: A Refusal To Admit The Banality Of Evil And The Terrible Boredom Of Pain.

The Book Itself Is A Curious Artifact, Not Showy In Its Technology But Complex And Extremely Efficient: A Really Neat Little Device, Compact, Often Very Pleasant To Look At And Handle, That Can Last Decades, Even Centuries. It Doesn't Have To Be Plugged In, Activated, Or Performed By A Machine; All It Needs Is Light, A Human Eye, And A Human Mind. It Is Not One Of A Kind, And It Is Not Ephemeral. It Lasts. It Is Reliable.

Men Call Women Faithless, Changeable, And Though They Say It In Jealousy Of Their Own Ever-threatened Sexual Honor, There Is Some Truth In It. We Can Change Our Life, Our Being; No Matter What Our Will Is, We Are Changed. As The Moon Changes Yet Is One, So We Are Virgin, Wife, Mother, Grandmother. For All Their Restlessness, Men Are Who They Are; Once They Put On The Man's Toga They Will Not Change Again; So They Make A Virtue Of That Rigidity And Resist Whatever Might Soften It And Set Them Free.