That's Our Plan? We're Going To Walk

The Eternal Challenge For Screenwriter Adapters Is Figuring Out How To Make Something Work On Screen, When So Much Of What Made It Work In The Book Were The Thoughts Of The Character, And Obviously Wanting To Avoid Voiceover.

Talent Must Be A Fanatical Mistress. She's Beautiful; When You're With Her, People Watch You, They Notice. But She Bangs On Your Door At Odd Hours, And She Disappears For Long Stretches, And She Has No Patience For The Rest Of Your Existence; Your Wife, Your Children, Your Friends. She Is The Most Thrilling Evening Of Your Week, But Some Day She Will Leave You For Good. One Night, After She's Been Gone For Years, You Will See Her On The Arm Of A Younger Man, And She Will Pretend Not To Recognize You.

Once You Realise That Heroes Die, Everything Becomes That Much More Terrifying.

The Fire Was Silent, The Little Houses Collapsing Into The Flames Without Complaint, Flocks Of Sparks Rising To The Sky. At A Distance It Seemed Beautiful, And I Thought It Was Strange That Powerful Violence Is Often So Pleasing To The Eye.

This Is Good, Life Must Continue, We Are Fighting Barbarians, But We Must Remain Human.