That Is What Deconstruction Is Made Of:

The Poet…is The Man Of Metaphor: While The Philosopher Is Interested Only In The Truth Of Meaning, Beyond Even Signs And Names, And The Sophist Manipulates Empty Signs…the Poet Plays On The Multiplicity Of Signifieds.

During The Fifteen Or Twenty Years In Which I Tried - It Was Not Always Easy With Publishers, Newspapers, Etc. - To Forbid Photographs, It Was Not At All In Order To Mark A Sort Of Blank, Absence, Or Disappearance Of The Image; It Was Because The Code That Dominates At Once The Production Of These Images, The Framing They Are Made To Undergo, The Social Implications (showing The Writer's Head Framed In Front His Bookshelves, The Whole Scenario) Seemed To Me To Be, First Of All, Terribly Boring, But Also Contrary To What I Am Trying To Write And To Work On.

Whatever Precautions You Take So The Photograph Will Look Like This Or That, There Comes A Moment When The Photograph Surprises You. It Is The Other's Gaze That Wins Out And Decides.

The Only Attitude (the Only Politics--judicial, Medical, Pedagogical And So Forth) I Would Absolutely Condemn Is One Which, Directly Or Indirectly, Cuts Off The Possibility Of An Essentially Interminable Questioning, That Is, An Effective And Thus Transforming Questioning.

Every Discourse, Even A Poetic Or Oracular Sentence, Carries With It A System Of Rules For Producing Analogous Things And Thus An Outline Of Methodology.