Tall Poplars--human Beings Of This Earth!

The Poem Is Lonely. It Is Lonely And En Route. Its Author Stays With It. Does This Very Fact Not Place The Poem Already Here, At Its Inception, In The Encounter, In The Mystery Of Encounter?

No One Bears Witness For The Witness

A Poem, Being An Instance Of Language, Hence Essentially Dialogue, May Be A Letter In A Bottle Thrown Out To The Sea With The-surely Not Always Strong-hope That It May Somehow Wash Up Somewhere, Perhaps On The Shoreline Of The Heart. In This Way, Too, Poems Are En Route: They Are Headed Towards. Toward What? Toward Something Open, Inhabitable, An Approachable You, Perhaps, An Approachable Reality. Such Realities Are, I Think, At Stake In A Poem.

Reachable, Near And Not Lost, There Remained In The Midst Of The Losses This One Thing: Language. It, The Language, Remained, Not Lost, Yes, In Spite Of Everything. But It Had To Pass Through Its Own Answerlessness, Pass Through Frightful Muting, Pass Through The Thousand Darknesses Of Deathbringing Speech. It Passed Through And Gave Back No Words For That Which Happened; Yet It Passed Through This Happening. Passed Through And Could Come To Light Again, “enriched” By All This.

With Wine And Being Lost, With Less And Less Of Both: I Rode Through The Snow, Do You Read Me I Rode God Far--i Rode God Near, He Sang, It Was Our Last Ride Over The Hurdled Humans. They Cowered When They Heard Us Overhead, They Wrote, They Lied Our Neighing Into One Of Their Image-ridden Languages.