Stained Glass Enabled The Modern World.

I First Had No Interest In Figuration Whatsoever.

I Trust My Work. It's A Collaboration With The Material, And When It's Viewed, It's A Collaboration With The World.

I Got Into Animals By Drawing Hair Follicles. I Liked Drawing Hair, And From That I Got Into Feathers And Fur, Then Into Images Of Animals. The Patterning Is The Same, But The Proportions Of The Body Change From One Animal To The Next. A Lot Of It Is Just Geometry And Consciousness.

Things That Are Very Significant And Important To You When Constructing An Identity When You're Younger Change.

The Point Isn't To Know What You're Doing. The Point Is To Have An Experience Doing Something.