So Sometimes If I'm Working With A

I Mean, My Wife Is Always Like - I Don't Write Lyrics. So I Couldn't, Like, Really Technically Write A Song For Anyone. I Could Write A Very Nice Instrumental. So She Always Sort Of Gives Me A Hard Time Because It's Just Such A Ridiculously Impossible Standard To Live Up To, That Your Step-dad Wrote That Song For Your Mom.

I Didn't Start Making Music In Order To Be Famous.

Then, You Know, The Other More-traditional Role Of The Producer In, Like, The Kind Of Quincy Jones Sense Is Kind Of Part Arranger. So You're Coming Up With, Like, These - You Hear These Songs That Are Quite Bare-bones, And You Dream Up What's The Band Doing? What's The Rhythm Section Doing? What's The Guitars, Strings, Pianos - That Sort Of Thing. It's Almost Like A Little Toolbox.

And I Remember That About Three Years Before That, Her First Record Had Come Out. And I Just Remember Really Liking This One Song Off It Called "in My Bed" And Being A Little Bit Enamored. This, You Know, This Young Kind Of Jewish Girl From North London, You Know, I Have The Same Thing - From A Jewish Family From North London - With This Incredible Voice.

I Had A Somewhat Frenetic Childhood Because My Mum And Dad Split Up When I Was Five, And Then My Mum Remarried.