So I Think I'll Say The Obvious

I Go Into Any Movie That's Historical Fiction Thinking, 'ok, I'm Here To Watch A Work Of Art, Something Delivering A Series Of Opinions, And If It's A Good Work Of Art, These Opinions Become So Deeply Embedded In Complexity And Richness That I Won't Even Be Bothered By The Opinions. I'll Make My Own Mind Up.'

In Some Ways [the Internet]'s Definitely An Enemy.

I'm Happy That I Feel A Little Less Out Of Place In Filmmaking Than I Once Was - But It's Almost Impossible For A Playwright In The U.s. To Make A Living. You Can Have A Play, Like I Did With 'angels,' And It Still Generates Income For Me, But It's Not Enough For Me To Live On And Have Health Insurance.

I'm In An Odd Place Right Now In New York Where I Routinely Get Trashed By Every Daily Drama Critic And Have A Few Allies Among Weekly/monthly Drama Critics, And You Sort Of Plot These Things Out And Figure It Out. But It's Just What Any Writer Goes Through, Periods Of Favor, Periods Of Disfavor. And The Trick Is Just To Keep Writing And To Not Let An Obsession.

Love Is The World's Infinite Mutability; Lies, Hatred, Murder Even, Are All Knit Up In It; It Is The Inevitable Blossoming Of Its Opposites, A Magnificent Rose Smelling Faintly Of Blood.