Science Disembodies; Art Embodies.

Hazard Has Conditioned Us To Live In Hazard. All Our Pleasures Are Dependent On It. Even Though I Arrange For A Pleasure, And Look Forward To It, My Eventual Enjoyment Of It Is Still A Matter Of Hazard. Wherever Time Passes, There Is Hazard.

Medieval Theologians Used To Dispute How The Angels In The Heaven Spent Their Time, When Not Balancing On Needle Points And Singing Anthems To The Lord. I Know. They Slump Glued To Their Clouds, Glasses At The Ready, As The Archangel Micheal (that Well-known Slasher) And Stonewalling St Peter Open Against The Devils Xi. It Could Not Be Heaven, Otherwise.

The Noblest Relationship Is Marriage, That Is, Love. Its Nobility Resides In Its Altruism, The Desire To Serve Another Beyond All The Pleasures Of The Relationship; And In Its Refusal Ever To Regard The Other As A Thing, An Object, A Utilizability. Sex Is An Exchange Of Pleasures, Of Needs; Love Is A Giving Without Return. It Is This Giving Without Return, This Helping Without Reward, This Surplus Of Pure Good, That Identifies The Uniqueness Of Man As Well As The True Nature Of The True Marriage. This Is The Quintessence The Great Alchemy Of Sex Is For.

Piers Is Always Going On About How He Hated Stowe. As If That Solves Everything, As If To Hate Something Means It Can't Have Affected You.

In Some Mysterious Way Woods Have Never Seemed To Me To Be Static Things. In Physical Terms, I Move Through Them; Yet In Metaphysical Ones, They Seem To Move Through Me.