Proust Has Pointed Out That The Predisposition

Memory Must Be Patchy; What Is More Alarming Is Its Face-savingness. Something In One Shrinks From Catching It Out - Unique To Oneself, One's Own, One's Claim To Identity, It Implicates One's Identity In Its Fibbing.

The Passion Of Vanity Has Its Own Depths In The Spirit, And Is Powerfully Militant.

To Walk Into History Is To Be Free At Once, To Be At Large Among People.

As A Novelist, I Cannot Occupy Myself With "characters," Or At Any Rate Central Ones, Who Lack Panache, In One Or Another Sense, Who Would Be Incapable Of A Major Action Or A Major Passion, Or Who Have Not A Touch Of The Ambiguity, The Ultimate Unaccountability, The Enlarging Mistiness Of Persons "in History." History, As More Austerely I Now Know It, Is Not Romantic. But I Am.

But Surely Love Wouldn't Get So Much Talked About If There Were Not Something In It?