Plots Are For Dead People.

Writing Is Both The Excursion Into And The Excursion Out Of One's Life. That Is The Queasy Paradox Of The Artistic Life. It Is The Thing That, Like Love, Removes One Both Painfully And Deliciously From The Ordinary Shape Of Existence. It Joins Another Queasy Paradox: That Life Is An Amazing, Hilarious, Blessed Gift And That It Is Also Intolerable.

Start Dating Someone Who Is Funny, Someone Who Has What In High School You Called A "really Great Sense Of Humor" And What Now Your Creative Writing Class Calls "self-contempt Giving Rise To Comic Form." Write Down All Of His Jokes, But Don't Tell Him You Are Doing This. Make Up Anagrams Of His Old Girlfriend's Name And Name All Of Your Socially Handicapped Characters With Them. Tell Him His Old Girlfriend Is In All Of Your Stories And Then Watch How Funny He Can Be, See What A Really Great Sense Of Humor He Can Have.

It Was Like The Classic Scene In The Movies Where One Lover Is On The Train And One Is On The Platform And The Train Starts To Pull Away, And The Lover On The Platform Begins To Trot Along And Then Jog And Then Sprint And Then Gives Up Altogether As The Train Speeds Irrevocably Off. Except In This Case I Was All The Parts: I Was The Lover On The Platform, I Was The Lover On The Train. And I Was Also The Train.

This Is What Happened In Love. One Of You Cried A Lot And Then Both Of You Grew Sarcastic.

I Want To Pretend There's Such A Thing As Requited Love. As The Endurance Of Love.