People Say To Me, "who's Your Favorite

The Longer We Lived With It The More We Wanted Something Less About Process And More About Life.

We Know That Photographs Inform People. We Also Know That Photographs Move People. The Photograph That Does Both Is The One We Want To See And Make.

And That Desire-the Strong Desire To Take Pictures-is Important. It Borders On A Need, Based On A Habit: The Habit Of Seeing. Whether Working Or Not, Photographers Are Looking, Seeing, And Thinking About What They See, A Habit That Is Both A Pleasure And A Problem, For We Seldom Capture In A Single Photograph The Full Expression Of What We See And Feel. It Is The Hope That We Might Express Ourselves Fully-and The Evidence That Other Photographers Have Done So-that Keep Us Taking Pictures.

I Can't Speak For Other Photographers, But The Photographers Who Went Forward Strongly When The So-called "official" Part Of Their Career Ended, To Me, Were Those Who Had Taught. Teaching Enriches And Enlivens One's Work.

One Of The Things That I Most Believe In Is The Compose And Wait Philosophy Of Photography. It’s A Very Satisfying, Almost Spiritual Way To Photograph. Life Isn't’ Knocking You Around, Life Isn't Controlling You. You Have Picked Your Place, You’ve Picked Your Scene, You’ve Picked Your Light, You’ve Done All The Decision Making And You Are Waiting For The Moment To Come To You.