People Do Dismiss Ambient Music, Don't They?

Saying That Cultural Objects Have Value Is Like Saying That Telephones Have Conversations.

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.

I'm Always Interested In What You Can Do With Technology That People Haven't Thought Of Doing Yet.

Law Is Always Better Than War.

If You Had A Sign Above Every Studio Door Saying ‘this Studio Is A Musical Instrument’ It Would Make Such A Different Approach To Recording.