Over The Years, I've Collected A Lot

You Only Live Once, So I Try To Say Yes To Everything.

There Are Days That I Get Neurotic With The Instrument [violin]. Every Little Adjustment Will Change The Balance For Good Or For Bad. It's Kind Of A Miracle, The Way The Whole Thing Works As An Acoustical Whole, So Perfectly Balanced That Any Little Thing Will - Which Also Means The Weather, The Humidity.

I Think If There's Ever Been A Time We Need Music More, It's Now. For Our Kids, It Teaches You To Take Time, To Listen, To Work Together, To Listen To Other People, And To Use Your Brain. That's Why Classical Music Doesn't Work When You Throw It At People In A Subway Platform While They're Rushing To Work. Classical Music Is Something That Needs To Be Contemplated, You Have To Be Completely Present With An Active Mind That's Working. It's Not Background Music.

Every Orchestra Is Different. Sometimes, You're Blown Away By A Particular Musician. If I'm Playing The Brahms Concerto, It's Crucial To Have A Great Oboe Player, Because We Work In Tandem.

There Are Some Days I Take My Violin Out And It Feels Dreadful, Like Nothing Is Responding, And I Want To Sell It And Get Rid Of It. And The Next Day Suddenly The Skies Open Up And The Sound Is Glorious Again. So It's Like A Relationship: There Are Good Days And Bad Days.