One Of The Most Striking Aspects Of

To End Up With A Canvas That Is No Less Beautiful Than The Empty Canvas Is To Begin With.

The Problems Of Inventing A New Language Are Staggering. But What Else Can One Do If One Needs To Express One's Feeling Precisely?

Each Brushstroke Is A Decision.

For Twenty Years I Read A Book A Day, From The Time I Was Seven Until I Was Twenty-seven.

I Started With Straight, Basic, Symbolic Structures. My Problem Now Is The Opposite; As I Get Older, I Try To Make My Paintings More Contrapuntal, Richer.