One Arrives At Style Only With Atrocious

La Parole Humaine Est Comme Un Chaudron Fe" Le O U' Nous Battons Des Me Lodies A' Faire Danser Les Ours, Quand On Voudrait Attendrir Les E Toiles. Human Speech Is Like A Cracked Kettle On Which We Beat Out Tunes For Bears To Dance To, When All The Time We Are Longing To Move The Stars To Pity.

There Are Neither Good Nor Bad Subjects. From The Point Of View Of Pure Art, You Could Almost Establish It As An Axiom That The Subject Is Irrelevant, Style Itself Being An Absolute Manner Of Seeing Things.

Poetry Is A Subject As Precise As Geometry.

As Humanity Perfects Itself, Man Becomes Degraded. When Everything Is Reduced To The Mere Counter-balancing Of Economic Interests, What Room Will There Be For Virtue? When Nature Has Been So Subjugated That She Has Lost All Her Original Forms, Where Will That Leave The Plastic Arts? And So On. In The Mean Time, Things Are Going To Get Very Murky.

Didn't Love, Like A Plant From India, Require A Prepared Soil, A Particular Temperature? Sighs In The Moonlight, Long Embraces, Tears Flowing Over Hands Yielded To A Lover, All The Fevers Of The Flesh And The Languors Of Tenderness Thus Could Not Be Separated From The Balconies Of Great Châteaux Filled With Idle Amusements, A Boudoir With Silk Blinds, A Good Thick Carpet, Full Of Pots Of Flowers, And A Bed Raised On A Dais, Nor From The Sparkle Of Precious Stones And Shoulder Knots On Servants' Livery.