Obviously There Will Be A Backlash. If

I Think I'll Always Feel A Little In Awe Whenever I See Someone In Their 20s Or 30s Carrying A Cello Or Violin Case - Because I Know, If They're Doing It Professionally, How Many Years Of Practice Have Gone Into Being Able To Make Music With Them. And The Sounds They Can Make Just Hit Me Very Hard, And Feel Full Of Limitless Complexity.

When People Say You're Doing Something Radical In Rock Or Dance Music, I'm Not Sure How Special That Is. What We Do Is So Old-fashioned. It's Like Trying To Do Something Innovative In Tap-dancing.

I Like Playing The Stuff Where I Don´t Know What I´m Gonna Play. Like The End Of Fake Plastic Trees Or The End Of Paranoid Android - Stuff Where I Can Do Anything And No One Notices Or Cares.

As I Kid, I Was Always Jealous Of The Music That My Favorite Bands Had Written - But Not Really Of How They Played. So I'd Daydream About Having Written Songs, And This Way Above Being Able To Perform Them.

It's What The Pixies Always Said About Music - They Were Writing Songs And Just Trying Not To Be Boring. That Was Their Main Motivation And It Worked For Them. I Remember Reading That And Thinking That Was The Way To Do It.