No, I'm Not A Very Methodologically Pure

As An Actor, If You Step To The Side And You Look At [thornton's Performance] Technically, And You Try To Imagine Doing What He Was Doing, Most People Would Panic. Most People Would Be On The Set, And They Would Be Panicking, Going, "i'm Not Doing Anything!" All The Ham Instincts In You Would Be Screaming, "you've Got To Indicate Something Here." And It's Beautiful, In A Way. And So I Appreciate, Even As An Audience Member, The Courage That It Takes To Be... Frankly, To Be Subtle.

I'm A New Yorker, You Know.

I Think The Consensus Among Our Generation And People Younger Than Us Is That We Do Have A Defining Challenge In The Moment, So I Do Like Being Involved In Something Bigger Than The Finger-doodling I Do In Art. It Stimulates Your Brain In Certain Ways.

I Don't Flatter Myself - I'm Not A Scientist, I'm Not A Conservation Expert.

To Me, Achieving Tone, Achieving Consistency, Is Exactly The Job Of A Director. It Is To Be The Fusing, The Nexus Of A Whole Bunch Of People Contributing To The Complex Life Of A Movie. There Are Actors, There's A Cinematographer, There're Costume People, Set People, There Are All These Things, And You Somehow Have To Be The Person In The Middle Of It Who Is Making It All Synchronize Into The Same Magic Bubble.