No Amount Of Rationalisation, Reform, Or Freudian

For Although Nepenthe Has Calmed Me, I Know Always That I Am An Outsider; A Stranger In This Century And Among Those Who Are Still Men. This I Have Known Ever Since I Stretched Out My Fingers To The Abomination Within That Great Gilded Frame; Stretched Out My Fingers And Touched A Cold And Unyielding Surface Of Polished Glass.

When The Last Days Were Upon Me, And The Ugly Trifles Of Existence Began To Drive Me To Madness Like The Small Drops Of Water Torturers Let Fall Ceaselessly Upon One Spot Of Their Victim's Body, I Loved The Irradiate Refuge Of Sleep. In My Dreams I Found A Little Of The Beauty I Had Vainly Sought In Life, And Wandered Through Old Gardens And Enchanted Woods.

There Are Horrors Beyond Life's Edge That We Do Not Suspect, And Once In A While Man's Evil Prying Calls Them Just Within Our Range.

Science, Already Oppressive With Its Shocking Revelations, Will Perhaps Be The Ultimate Exterminator Of Our Human Species - If Separate Species We Be - For Its Reserve Of Unguessed Horrors Could Never Be Borne By Mortal Brains If Loossed Upon The World.

Good Art Means The Ability Of Any One Man To Pin Down In Some Permanent And Intelligible Medium A Sort Of Idea Of What He Sees In Nature That Nobody Else Sees. In Other Words, To Make The Other Fellow Grasp, Through Skilled Selective Care In Interpretative Reproduction Or Symbolism, Some Inkling Of What Only The Artist Himself Could Possibly See In The Actual Objective Scene Itself.