Nice Things Are Nicer Than Nasty Ones.

[science Fiction Is] That Class Of Prose Narrative Treating Of A Situation That Could Not Arise In The World We Know, But Which Is Hypothesised On The Basis Of Some Innovation In Science Or Technology, Or Pseudo-science Or Pseudo-technology, Whether Human Or Extra-terrestrial In Origin. It Is Distinguished From Pure Fantasy By Its Need To Achieve Verisimilitude And Win The 'willing Suspension Of Disbelief' Through Scientific Plausibility.

Only A World Without Love Strikes Me As Instantly And Decisively More Terrible Than One Without Music.

If You Can't Annoy Somebody, There Is Little Point In Writing.

Those Who Professed Themselves Unable To Believe In The Reality Of Human Progress Ought To Cheer Themselves Up, As The Students Under Examination Had Conceivably Been Cheered Up, By A Short Study Of The Middle Ages. The Hydrogen Bomb, The South African Government, Chioang Kaidick, Senator Mccarthy Himself, Would Then Seem A Light Price To Pay For No Longer Being In The Middle Ages.

Twentieth Century Music Is Like Paedophilia. No Matter How Persuasively And Persistently Its Champions Urge Their Cause, It Will Never Be Accepted By The Public At Large, Who Will Continue To Regard It With Incomprehension, Outrage And Repugnance.