Nature Photography... That Acknowledges What Is Wrong,

I Began Making Pictures Because I Wanted To Record What Supports Hope: The Untranslatable Mystery And Beauty Of The World. Along The Way, However, The Camera Also Caught Evidence Against Hope, And I Eventually Concluded That This, Too, Belonged In Pictures If They Were To Be Truthful And Thus Useful.

You've Always Been Free. You've Always Been Bright And Shining. Everything Else Is Just Nonsense.

I Keep Calling It The I-thought. It's A Thought. There Is No I. This Gives You A Clue.

...i Felt That Photography Ought To Start With And Remain Faithful To The Appearance Of The World, And In So Doing Record Contradictions. The Greatest Pictures Would Then... Find Wholeness In The Torn World.

There Is Always A Subjective Aspect In Landscape Art, Something In The Picture That Tells Us As Much About Who Is Behind The Camera As About What Is In Front Of It.