Myth Is Supposed To Bring Us Together,

Usually, Those People Don't Even Like Actors And They Can't Wait Until They Get In The Cutting Room. They Kind Of Break Down In Categories: Directors Who Like To Be Surprised And Some Of Them Abhor Being Surprised. As Far As Directing, We All Direct When We're Acting In Movies... Every Single One Of Us.

I Think One Of The Things You Have To Be Aware Of As An Actor Is That If You Come On The Set And See The Director Standing There Mouthing All The Words While A Scene Is Going On, That's Usually A Very Bad Sign Because It Means The Director Has Already Shot The Scene In His Head. He Knows Exactly The Rhythm And The Nuances That He Wants Delivered In The Line And You're Not Going To Dissuade Him.

We're All A Little Nit Autistic.

I Walked Out Of The Theater And Started Crying. My Wife Asked Me, 'why Are You Crying?' I Said, 'because I Can't Do That.' I Didn't Know How He Did It. I've Never Seen Anything Like That. It's Like This Feat, This Rodin Sculpture To Me. It's Like Hearing An Opera Singer And The Tears Go Down Your Face Because It's Not Human What They're Doing. It's Like Sounds Of Heaven.

I Came In On This Movie After There Had Been A Director And I Came In After Tom Courtenay Had Talked To Ron Harwood About Making A Movie. So, You Know Tom And Albert Finney Had Been Friends Since The Beginning Of Their Career As They Became Stars Around The Same Time - Tom Always Reminds Me That Albert Was First With Saturday Night And Sunday Morning And Then Tom With The Long Distance Runner.