My Mother Wouldn't Even Let Me Read

The Experience Of Going To A Theater And Seeing A Movie With A Lot Of People Is Still Part Of The Transformational Power Of The Film, And It's Equivalent To The Old Shaman Telling A Story By The Campfire To A Bunch Of People. That Is A Remarkable Thing, If You Scream And Everyone Else In The Audience Screams, You Realize That Your Fears Are Not Just Within Yourself, They're In Other People As Well, And That's Strangely Releasing.

I Think The Important Thing About Staying Creative And Staying Sharp And Original Is Not To Look Back Too Much, And To Kind Of Look To Where Your Vision Is Going Now. But I Have Felt Over The Years A Definite Progression Or Arc From Feeling Guilty About What I Had Done With The First One, Because Certainly There Was All That Fundamentalist Guilt That Came Pouring Back In. Feeling Like I'd Done Something Horrible, "i'm A Despicable Person And I'm Perverse," And All These Things, To A Sense Of The Power And The Necessity, In A Sense, Of Horror Films And Dealing With Dark Material.

Horror Films Don't Create Fear. They Release It.

I Make Something I Can Look At And Say, "that's A Good Piece Of Work, And There's Some Terrific Directing And Acting In It, And You Should Be Proud Of It."

There's More Emphasis On Art And Culture In Europe Than There Is In The United States And I Think That A Lot Of American Directors And Writers Are Just Trying To Copy Other American Horror Films, They Don't Pick Up Much In The Way That European Filmmakers Do.