My Films Have Sort Of Amateur Elements,

The Limits Of Control Is Not Surrealism, But It Is An Experiment In Which Expectations Are Deliberately Removed: Expectations For Narrative Form, For Action In A Film, For Certain Emotional Content. We Wanted To Remove Those Things And See If We Could Still Make A Film That Was A Beautiful Film Experience, With Deliberately Removing Things Many People Would Expect.

For Me, The Music Is Always Like The Small Rowboat I Get Into At The Very Beginning Of My Process.

I Consider Myself A Feminist, In A Way.

It Meant A Kind Of Real Liberation Of Expression. It Embraced Amateurism In A Way That I Still Am Inspired By. It Was Not About Trying To Get, You Know, Stadium Gigs Or Even Commercial Radio Play Or Even Record Deals For That Matter. It Was About Saying Something 'cause You Meant It, And Expressing Something That You Felt. And That Was Primary For That - Whatever The Scene, Whatever Punk Rock Means, It Was Very, Very Important To Me, Very Formative.

I've Always Loved Films, Always. I Studied Literature And I Went To Columbia In New York And I Went To Paris For Part Of One Year And Ended Up Staying There.